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The Gruffalo's Child, by Julia Donaldson
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Julia Donaldson and Axel Scheffler team up again to create this funny and adorable sequel to The Gruffalo. One night, the Gruffalo’s child wanders into the woods to search for the Big Bad Mouse. But instead, she comes upon a small mouse in the woods . . . and decides to eat him! But wait, what is that? A shadow of a very large, scary creature falls on the ground. Could it be the Big Bad Mouse after all?
- Sales Rank: #4743 in Books
- Brand: Donaldson, Julia/ Scheffler, Axel (ILT)
- Published on: 2007-03-01
- Released on: 2007-03-01
- Original language: English
- Number of items: 1
- Dimensions: 10.63" h x .13" w x 8.50" l, .31 pounds
- Binding: Paperback
- 32 pages
From School Library Journal
PreSchool-Grade 2–In this sequel to The Gruffalo (Dial, 1999), the wide-eyed daughter of that story's title character decides to find the "Big Bad Mouse" that her father has told her so much about. "His eyes are like pools of terrible fire,/and his terrible whiskers are tougher than wire." With her stick doll tucked under her arm, the youngster enters the deep, dark woods and follows marks in the snow to snake, owl, and fox. When she finally finds a little mouse, she grabs him for a feast, but the clever creature tricks her into running away to the comfort of her sleeping father's arms. The full-color cartoons portray a suitably sympathetic child in the snow-filled woods. While children may appreciate the details (the stick doll, snake tracks in the snow, gruffalo child's cave drawings) in the art, lack of change from picture to picture and in perspective diminish its effectiveness. The plot, rhymes, and art are all slightly weaker than the original tale. Purchase this where the first book is popular.–Marge Loch-Wouters, Menasha's Public Library, WI
About the Author
Julia Donaldson lives in Glasgow, Scotland.
Most helpful customer reviews
110 of 118 people found the following review helpful.
not original text!
By knockknock
I bought this to replace our current tattered read-so-much version and the copy I received has been altered from the original text! I have no idea why except that some clever fellow decided that Americans wouldn't recognize some of the layout of the language - as the book is written with British wording - ridiculous! The part that says "oh my" fox said should read "I'm off!" Fox said .. this has totally changing the rhyme in some places. Not the book we've grown to love.. sending it back for the same the hard cover one I currently have and hopefully it will not be with the altered text!
64 of 68 people found the following review helpful.
Share it with your kids!
By Mike...M
A review of the hardcover edition applies to the softcover as well:
The Gruffalo is a delightfully irreverent story about a mouse and an imaginary monster, sure to please grown-ups as well as children. This is a case where you CAN judge the book by its humorous cover, and you won't be disappointed. Axel Scheffler's brightly colored and too-silly-to-be-really-scary illustrations set the tone for this light-hearted romp through multiple layers of comic irony; and Julia Donaldson's marvelous doggerel perfectly realizes the mouse's sprightly character.
It's much more than great fun, though. The Gruffalo also has tremendous resonance with familiar elements of Western culture. This is a story that Carl Jung, Mircea Eliade, and Joseph Campbell all could love. It's a perfect little Hero's Journey: it's got "the deep dark wood," a confrontation with the Monster Within, and a victorious return to the ordinary world where a nut is good. Had this been a fable of Aesop, we could expect our hero to be eaten right in the middle, and we would be left with some such lesson as "Don't be too clever for your own good." Instead, our mythical mouse makes his Eternal Return bearing a subtle wisdom that echoes the teachings of the world's greatest mystics.
The very structure of the story is classic, reminiscent of the great repetitive folk tales, such as "The Three Billy Goats Gruff," "The Three Little Pigs," or "The Little Red Hen." The mouse's encounter with a dangerous predator is repeated with slight variation in the wording three times (yes, three times, as in three crows of a cock, three days in the belly of the fish, three temptations under a bo tree...) then, after a dramatic climax, the story works its way back with another set of three variations as the mouse retraces his steps on the path toward the real climax.
The Gruffalo's greatest fun for grown-ups comes from its heaps of irony. First, there's the expectation of an Aesopian fable. That expectation is thwarted by the clever mouse. Second are the characters of the animals: they're all wrong. The mouse is not meek and fearful; he's bold and confident, a real smart-aleck, in fact. Then the fierce predators turn out to be wimps. Not only that, these are the exact animals that always represent intelligence in Western folk literature -- the clever fox -- the wise owl -- the subtle snake. Here they are all outwitted by the littlest of animals. Third is the basic irony of the mouse's meeting with the gruffalo -- maybe the mouse is not so clever, after all. Fourth, the terrible monster...! Fifth, he went through all that for a nut. Sixth, that story was a profoundly archetypal tale in goofy rhyme, with cartoon pictures. Seventh, I actually wrote this review, and you actually read it. What's next? Am I going to tell you that Harvey Potter's Balloon Farm is a model for education reform? (well . . . yes!)
Finally, The Gruffalo really is a fun and loveable book. One of the best for sharing with your kids.
24 of 26 people found the following review helpful.
One Of The Best!
By Shopaholic
I read this book to my kindergarten class and they LOVE it! The children act it out, sequence the story through pictures, journal about it and talk about it for months it is one of their favorites and mine too! I love reading it because they get so excited and it is so much fun to read over and over!
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