Ebook Smithsonian Collection of Classic Jazz, by Professor of Environmental Studies Martin Williams
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Smithsonian Collection of Classic Jazz, by Professor of Environmental Studies Martin Williams
Ebook Smithsonian Collection of Classic Jazz, by Professor of Environmental Studies Martin Williams
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Selected and annotated by Martin Williams with a biographical index by Ira Gitler
- Sales Rank: #867357 in Books
- Published on: 1987-01
- Original language: English
- Number of items: 1
- Dimensions: 12.42" h x 1.13" w x 12.43" l, 3.50 pounds
- Binding: Paperback
- 120 pages
About the Author
Martin Williams is Emeritus Professor at the University of Adelaide, Australia. His particular contribution is the reconstruction of prehistoric environments, ranging from the habitats occupied by early hominids in the Afar Rift of Ethiopia to the Neolithic occupation in the Sahara and the Nile valley to the late Pleistocene wetlands in the arid Flinders Ranges of South Australia, using evidence from a wide variety of disciplines. He is a recipient of the Cuthbert Peek Medal from the Royal Geographical Society, the Sir Joseph Verco Medal from the Royal Society of South Australia, the Distinguished Geomorphologist Medal from the Australia and New Zealand Geomorphology Group, and the Farouk El Baz Award for Desert Research from the Geological Society of America. He is the author of more than two hundred research papers (twelve in Nature) and has edited or authored twelve books, including Landform Evolution in Australasia (with J. L. Davies, 1978), The Sahara and the Nile (with Hugues Faure, 1980), and Quaternary Environments (with David Dunkerley, Patrick De Deckker, Peter Kershaw and John Chappell; 1993, 1998).
Most helpful customer reviews
13 of 15 people found the following review helpful.
The standard
By Rich Pinto
This book is the standard by which other histories of Jazz are to be judged. The history is related without bias, but with flavor, both completely and with sufficient detail.
The history is presented with insight into the future implications each musical "invention" would bear on its progeny. You get the feeling that the authors were "there" when the music evolved, giving it a realistic and even authoritative feel. You trust this book.
This book complements Porter's "Jazz: its origins to the present" well, as it is often referenced in that book. It makes them an ideal pair. While the tone and emphasis are slightly different, the subject matter is the same, he rich and diverse history of jazz.
It is no wonder that other books on Jazz site this book as the definitive source on the subject. Thumbs up for a classic work.
0 of 0 people found the following review helpful.
Five Stars
By Kevin L. Johnson
A advertised.
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