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Shooting the Moon, by Frances O'Roark Dowell
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JAMIE THINKS HER FATHER CAN DO ANYTHING....
UNTIL THE ONE TIME HE CAN DO NOTHING.
When twelve-year-old Jamie Dexter's brother joins the Army and is sent to Vietnam, Jamie is plum thrilled. She can't wait to get letters from the front lines describing the excitement of real-life combat: the sound of helicopters, the smell of gunpowder, the exhilaration of being right in the thick of it. After all, they've both dreamed of following in the footsteps of their father, the Colonel.
But TJ's first letter isn't a letter at all. It's a roll of undeveloped film, the first of many. What Jamie sees when she develops TJ's photographs reveals a whole new side of the war. Slowly the shine begins to fade off of Army life - and the Colonel. How can someone she's worshipped her entire life be just as helpless to save her brother as she is?
From the author of the Edgar Award-winning Dovey Coe comes a novel, both timely and timeless, about the sacrifices we make for what we believe and the people we love.
- Sales Rank: #2421759 in Books
- Brand: Dowell, Frances O'Roark
- Model: 3613939
- Published on: 2008-01-29
- Released on: 2008-01-29
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .70" w x 5.00" l, .52 pounds
- Binding: Hardcover
- 176 pages
From School Library Journal
Starred Review. Grade 5–8— "The Army way is the right way." So says Jamie Dexter's father, The Colonel, a die-hard officer who has raised Jamie and her older brother, TJ, to be proud believers in the U.S. military. Stationed at Fort Hood, TX, in the summer of 1969, Jamie's family is tested when TJ decides to forgo college and volunteers for the Medical Corps in Vietnam. The spirited 12-year-old wishes that she could go, and she shocked to discover that The Colonel disapproves. When TJ sends rolls of film home from the front, Jamie learns how to develop them. They are chock-full of pictures of his surroundings and his favorite subject, the moon, but over time she's less eager to develop the increasingly disturbing images. As Jamie learns about the war from soldiers at the fort's rec center and watches her father grow disenchanted with the Army, her firm worldview is shaken. The clear, well-paced first-person prose is perfectly matched to this novel's spare setting and restrained plot. Dowell captures Jamie's growing self-awareness and maturity with the slightly detached, wistful tone of a memoir related well after the fact, and the precise clarity of a developing photograph. This thoughtful and satisfying story is more a novel of family and growth than of war. Readers will find beauty in its resolution, and will leave this eloquent heroine reluctantly. This is Dowell's most cohesive and engaging novel yet.—Riva Pollard, American Indian Public Charter School, Oakland, CA
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Twelve-year-old Jamie Dexter and her brother, TJ, have grown up with the Army: their dad is a colonel. So Jamie is puzzled when neither the Colonel nor their mother is thrilled to learn that TJ has enlisted. After all, he’s going to war in Vietnam, where Jamie would like to go if she weren’t so young. But then TJ, a photographer, begins to send her rolls of film to develop that gradually reveal the horrors of what he’s seen. This is a sparse, beautifully written story about learning to truly see people, situations, and emotions as they are, not as we want to see them. Through lovingly drawn, complex characters and explicit details about photography, Dowell introduces a war, and the issues surrounding it, that will seem familiar to contemporary readers in spite of the historical setting, and she invites young people to reflect on the many shades of gray that Jamie confronts. Grades 4-8. --Frances Bradburn
About the Author
Frances O’Roark Dowell is the bestselling and critically acclaimed author of Dovey Coe, which won the Edgar Award and the William Allen White Award; Where I’d Like to Be; The Secret Language of Girls and its sequels The Kind of Friends We Used to Be and The Sound of Your Voice, Only Really Far Away; Chicken Boy; Shooting the Moon, which was awarded the Christopher Medal; the Phineas L. MacGuire series; Falling In; the critically acclaimed The Second Life of Abigail Walker; Anybody Shining; Ten Miles Past Normal; and most recently, Trouble the Water. She lives with her husband and two sons in Durham, North Carolina. Connect with Frances online at FrancesDowell.com.
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Book Review: Shooting the Moon
By T. Jonker
"Shooting the Moon" is middle grade fiction at its best: a setting that draws you in, a story that makes you think, characters that make you care, and a pace that keeps things interesting. One of the best books I've read in aught 8.
The Vietnam war is in full swing and the Dexters are an army family through and through. Instead of "dad", the kids call their father "The Colonial". Like I said, through and through. 12 year old Jamie and her older brother TJ have been preparing for war their whole lives, waging strategic battle with army men for years. TJ, a recent high school graduate, decides to enlist. The strange thing is, The Colonial is not pleased. In fact, he is outright vocal in his opposition. When TJ is shipped overseas, he sends letters home for his parents and rolls of film for Jamie. What's contained in those photographs forces the youngest Dexter to rethink her gung-ho view of war.
This one makes quick work of drawing you in and holding your interest. Dowell ("The Secret Language of Girls", "Chicken Boy", the "Phineas L. MacGuire" books) seamlessly mixes in flashbacks to tell the story from the perspective of Jamie. Her point of view changes over the course of the book, but the transition doesn't feel forced. A gradual and natural changing of opinion is a good thing to see in children's lit.
"Shooting the Moon" is succinct, emotionally rich, and bound to find favor among the upper elementary readers who crack its cover.
9 of 12 people found the following review helpful.
I'll be the dissenter
By Bibliophile
I guess I'll be the dissenter here.
I thought the book was good, very readable, with good chronological order, which helps young readers make more sense of what they read. I could identify with the main character, Jamie. I was a girl during the Vietnam war, I had a father who had been in the military and who thought the war was just. I idolized my father like Jamie idolizes hers. The premise of the book was okay--how a young girl feels about the war her brother is fighting in. Overall, it wasn't bad.
However...(you knew that was coming)...the story falls a little flat because of poor character development, lack of depth in the story development and a hugely unsatisfying ending. It ends so abruptly that I had to look up the author's bio to see if she died before she finished the book. It was the only explanation I could think of to end the book on such an odd place.
Although Jamie, the main character, spends a lot of time with several of the side characters, we find out little about them. Yes, soldiers are trained to be stoic, but the story would have been much better if the author would have let us have the tiniest peek behind the stoicism to see honest emotions. What did her best friend feel when his brother was killed? What emotions were below the surface when he discovered he was about to be shipped to the war? What did the other soldiers really think about Jamie's enthusiasm for war in general? Why didn't the Colonel try harder to prevent his son from enlisting? Just leaving hints about going to college instead of going to war really seems out of character for a hard-driven man who is used to being obeyed.
The mom almost doesn't exist at all. She seems to be in the novel simply to give Jamie a two-parent family. We know nothing about how she felt about her only son enlisting during a time of war. I know several mothers whose sons have done just that in the last couple years and I can tell you that even the "army wives" don't just go on with business as usual, as Jamie's mother seems to do. I would have been nice to experience some of the angst she must have felt at the prospect of her only son potentially being killed.
The motif of the moon is totally lost in the story. There doesn't seem to be any reason at all for TJ to photograph the moon so much. If only we would know WHY the moon is important in this story...
I can guess that Ms. Dowell intends this book to be semiautobiographical? If only she would have shown us the honest emotions this book begs for, it would have been a supremely wonderful read. As it is, I have to wonder what the point of the story is.
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